Tate acquires Amoako Boafo’s ‘Blank Stare’ at 1-54 Contemporary African Art Fair in Marrakech

The acquisition highlights Tate’s ongoing commitment to contemporary African art.

 Image credit: Amoako Boafo, Blank stare 2021. Image courtesy of Gallery 1957, © Amoako Boafo.

Tate has expanded its collection with the acquisition of Ghanaian artist Amoako Boafo’s striking painting Blank Stare (2021) at the 1-54 Contemporary African Art Fair in Marrakech. The oil on paper piece, was selected by Tate’s Director of Collection, Gregor Muir, and Curator of International Art, Osei Bonsu. Boafo’s work is celebrated for its approach to Black figuration, where he captures the expression and character of his subjects through vibrant portraiture. The acquisition was made possible by the Tate Africa Acquisitions Committee Catalyst Fund, with support from the 1-54 Contemporary African Art Fair and Gallery 1957.

This acquisition is part of Tate’s broader efforts to diversify its collection and highlight contemporary African artists. Since its inception in 2011, the Africa Acquisitions Committee has enabled Tate to acquire over 58 works by 42 artists. The Committee’s Catalyst Fund, launched last year, specifically supports contemporary African artists, reflecting the richness of the arts ecosystem across the continent. Gregor Muir and Osei Bonsu expressed their excitement about adding Boafo’s work to Tate’s collection, which will be accessible to millions of visitors worldwide for generations to come.

1-54’s founding director, Touria El Glaoui, shared her pride in the event’s role in bridging artists, collectors, and institutions. She noted that this acquisition marks a significant milestone for the African art market. El Glaoui also highlighted the importance of the fair in fostering global recognition for African artists, with the hope that Boafo’s Blank Stare will inspire future generations at Tate’s galleries.