Review: Songs for a New World, Upstairs at the Gatehouse
Tucked away above a pub in a leafy corner of Highgate Village, Upstairs at the Gatehouse is a hidden gem of a theatre – and it’s latest offering, Songs for a New World, is the perfect production for this intimate venue.
Songs for a New World is the debut work of Tony Award winner Jason Robert Brown, and was first performed Off-Broadway in 1995 before making its way across the Atlantic in 2001. Labelled as a song cycle rather than musical theatre, what makes this work distinct is its lack of dialogue and demanding vocal score.
Songs for a New World, Upstairs at the Gatehouse. Photo by Clarissa Debenham.
Instead of following a full-formed narrative, Songs for a New World is an anthology of musical numbers from a cast of unnamed characters united by common feelings of love, loss and hope. What brings them together is that they all stand at a moment of decision, navigating what it means to be human. These timeless themes allow the work to resonate with a modern audience, even as we move from a fifteenth century sailing ship to 1990s New York City.
The small cast of four handle the range and complexity of songs with ease, and despite how little we know about the characters that appear, for the length of each song we drawn completely and mesmerisingly into their world. The talent of each performer is undeniable, and the quartet effortlessly transition from solos into duets and group numbers, coming together with rich harmonies under the skilful direction of Kai Wright.
Upstairs at the Gatehouse is known for the high quality of its musical theatre performances. Liam Holmes’ musical direction of Songs for a New World is joyful and the live band makes this performance soar. The songs range from comedy to heartbreak and each emotion is captured in pitch perfect style by the foursome of Lizzy Parker, Eleanore Frances, Luke Walsh and Christopher Cameron.
Songs for a New World, Upstairs at the Gatehouse. Photo by Clarissa Debenham.
The stand-out numbers are Frances’ hilarious rendition of ‘Just One Step’, in which she plays a wealthy wife teetering on the window ledge of her New York apartment block in an attempt to win the attention of a disinterested husband, and Luke Walsh’s ‘King of the World’ where we hear the demands of a prisoner who longs to be free.
Songs for a New World is an immersive and soulful musical performance. Not musical theatre but not quite a concert, this unique production is a powerful testament to exploring what lies beyond London’s West End.
Songs for a New World is showing at Upstairs at the Gatehouse until 3 March 2024. Location: Upstairs at the Gatehouse, 1 North Rd, Highgate Village, London N6 4BD. Price: from £24. Book now.
Words by Ellen Hodgetts
The Cinnamon Club had completely flown under the radar for me. It is in a pocket of London I rarely visit, and even if I did, the building’s exterior gives little indication of what’s inside. But now that I’ve discovered it, I already have plans to return with my husband - and in my mind, a list of friends I would recommend it to…