In March 2023, Dulwich Picture Gallery will present Berthe Morisot: Shaping Impressionism, the first major UK exhibition of the renowned Impressionist since 1950.

In partnership with the Musée Marmottan Monet, Paris, The exhibition will bring together over 30 of Morisot’s most important works from international collections, many never seen before in the UK, to reveal the artist as a trailblazer of the movement as well as uncovering a previously untold connection between her work and 18th century culture, with around 15 works for comparison.

A founding member of the Impressionist group, Berthe Morisot (1841-1895) was known for her swiftly painted glimpses of contemporary life and intimate domestic scenes. She featured prominently in the Impressionist exhibitions and defied social norms to become one of the movement’s most influential figures. Now, in a bold new retelling of Morisot’s story, Dulwich Picture Gallery will draw on new research and previously unpublished archival material from the Musée Marmottan Monet to trace the roots of her inspiration, revealing the ways in which Morisot engaged with 18th century art and culture, while also highlighting the originality of her artistic vision, which ultimately set her apart from her predecessors.

Highlights will include Eugène Manet on the Isle of Wight (1875), painted while Morisot was on honeymoon in England, and her striking Self-Portrait (1885), which will appear alongside Jean-Honoré Fragonard’s Young Woman (c.1769) from Dulwich Picture Gallery’s collection. Apollo revealing his divinity to the shepherdess Issé, after François Boucher (1892), In the Apple Tree (1890) and Julie Manet with her Greyhound Laerte (1893), are among nine paintings on loan from the Musée Marmottan Monet, many receiving their first ever showing in the UK.

Central to the exhibition is the story of the “rediscovery” of 18th century art in France and its impact on Impressionism with an accompanying body of work by artists including François Boucher, Jean-Baptiste-Siméon Chardin, Jean-Honoré Fragonard and Antoine Watteau. After falling out of favour following the French Revolution, the art of the ancien regime was enthusiastically acquired by 19th century collectors and reintroduced to the public through exhibitions and new rooms devoted to its artists at the Musée du Louvre. Morisot copied works by Boucher; she experimented with red chalk, a technique closely associated with Rococo drawing; and declared her admiration for Jean-Baptiste Perronneau and Georges de La Tour. Uniquely amongst her compatriots, Morisot also expressed a passionate enthusiasm for English painters Thomas Gainsborough, Sir Joshua Reynolds and George Romney.

The exhibition will demonstrate the numerous ways in which Morisot engaged with 18th century themes, drawing on her depictions of everyday life, fashion, interiors and intimate scenes. Works such as At the Ball (1875) reflect the elegance of the fête galante tradition and 18th century portraiture. Hung alongside Watteau’s Les Plaisirs du Bal (c.1715-17) from Dulwich Picture Gallery, a clear comparison can be drawn between the elegantly dressed and costumed figures and Morisot’s glamorous sitter with her 18th century fan.

Morisot was known for painting glimpses into women’s private spaces along with an ability to capture feeling and emotion. Works including The Psyche Mirror (1876) and Woman at her Toilette (1875/80) form a point of comparison and contrast with 18th century examples by artists such as Boucher and Fragonard, reflecting the different priorities and perspectives of a woman Impressionist working in a modern 19th century exhibition context, compared with male Rococo painters working for private collectors.

Location: Gallery Road, London SE21 7AD. Date:  31 March - 10 September 2023.